Charles Bronson (born Charles Dennis Buchinsky; November 3, 1921 – August 30, 2003) was an American actor who was often cast in roles of police officers, gunfighters, or vigilantes in revenge-oriented plot lines. He had long-term collaborations with film directors Michael Winner and J. Lee Thompson and appeared in 15 films with his second wife, Jill Ireland.
At the height of his fame in the early 1970s, he was the world's No. 1 box office attraction, commanding $1 million per film.
Ernest Borgnine (/ˈbɔːrɡnaɪn/; born Ermes Effron Borgnino; January 24, 1917 – July 8, 2012) was an American actor whose career spanned over six decades. He was noted for his gruff but calm voice and gap-toothed Cheshire Cat grin.[1] A popular performer, he also appeared as a guest on numerous talk shows and as a panelist on several game shows.
Borgnine's film career began in 1951, and included supporting roles in China Corsair (1951), From Here to Eternity (1953), Vera Cruz (1954), Bad Day at Black Rock (1955) and The Wild Bunch (1969). He also played the unconventional lead in many films, winning the Academy Award for Best Actor for Marty (1955). He achieved continuing success in the sitcom McHale's Navy (1962–1966), in which he played the title character, and co-starred as Dominic Santini in the action series Airwolf (1984–1986), in addition to a wide variety of other roles.
Borgnine earned his third Primetime Emmy Award nomination at age 92 for his work on the 2009 series finale of ER. He was known as the original voice of Mermaid Man on SpongeBob SquarePants from 1999 until his death in 2012. He had earlier replaced the late Vic Tayback as the voice of the villainous Carface Caruthers in both All Dogs Go to Heaven 2 (1996) and All Dogs Go to Heaven: The Series (1996–1998).
Richard Wagner - Pencil
22 May 1813 – 13 February 1883
Wagner was a German composer, theatre director, polemicist, and conductor who is chiefly known for his operas (or, as some of his mature works were later known, "music dramas"). Unlike most opera composers, Wagner wrote both the libretto and the music for each of his stage works. Initially establishing his reputation as a composer of works in the romantic vein of Carl Maria von Weber and Giacomo Meyerbeer, Wagner revolutionised opera through his concept of the Gesamtkunstwerk ("total work of art"), by which he sought to synthesise the poetic, visual, musical and dramatic arts, with music subsidiary to drama. He described this vision in a series of essays published between 1849 and 1852. Wagner realised these ideas most fully in the first half of the four-opera cycle Der Ring des Nibelungen (The Ring of the Nibelung).
His compositions, particularly those of his later period, are notable for their complex textures, rich harmonies and orchestration, and the elaborate use of leitmotifs—musical phrases associated with individual characters, places, ideas, or plot elements. His advances in musical language, such as extreme chromaticism and quickly shifting tonal centres, greatly influenced the development of classical music. His Tristan und Isolde is sometimes described as marking the start of modern music.
Wagner had his own opera house built, the Bayreuth Festspielhaus, which embodied many novel design features. The Ring and Parsifal were premiered here and his most important stage works continue to be performed at the annual Bayreuth Festival, run by his descendants. His thoughts on the relative contributions of music and drama in opera were to change again, and he reintroduced some traditional forms into his last few stage works, including Die Meistersinger von Nürnberg (The Mastersingers of Nuremberg).
Until his final years, Wagner's life was characterised by political exile, turbulent love affairs, poverty and repeated flight from his creditors. His controversial writings on music, drama and politics have attracted extensive comment, notably, since the late 20th century, where they express antisemitic sentiments. The effect of his ideas can be traced in many of the arts throughout the 20th century; his influence spread beyond composition into conducting, philosophy, literature, the visual arts and theatre. Source: Wikipedia
